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BATIK

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SAKIORI

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SASHIKO

BATIK布

素材・雑貨

SHOP

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「ミセスのスタイルブック2019初夏号」

表紙の生地はSOLDOUTになりました。

葉模様は在庫わずかです。

次回、入荷の時期は未定です。

​Creema minne ではハギレなど扱っています。

​いまりLINEアカウント登録はここ
楽しい情報やお得情報、展示会の情報など
送信しています。是非ご登録下さい。
通常のLINEとして、お好み生地の写真、洋服の写真などを送付する事ができます。
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2020 スタイルブック盛夏号

「いまりの花更紗を着る」に掲載分の生地

 については、ショップから、注文できますが、

在庫切れの場合もございますので、

一旦、お問合せの上、画面の一番上、SHOP

からご注文をお願いいたします。

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​2025スタイルブック盛夏号

​2024スタイルブック盛夏号

2025盛夏号の生地については、

現在インドネシアにて制作中ですので、

入荷次第、SHOPにて販売いたします。

​

2024盛夏号の生地については、

在庫のある、なしと、ばらつきがあり、一旦お問合せをお願いいたします。

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2024夏号のメンズシャツ生地については、在庫が薄い為、一旦、お問合せをお願いいたします。

Imari's Fashion from Kumamoto: Bringing the Beauty and Tradition of Japan to the World

Imari, with its 40-year history in Kumamoto, was once renowned for handling exquisite Imari and Arita porcelain, which captivated enthusiasts worldwide. Today, with the same passion and dedication, we offer stunning fashion items crafted from beautiful textiles such as batik and sakiori.

Batik and sakiori are textiles that have been cherished globally for their intricate dyeing and weaving techniques. Each piece, much like porcelain, is a work of art with vibrant colors and unique patterns. These textiles have been beloved by people worldwide as trade items throughout history, and their allure remains undiminished.

Imari integrates this tradition and beauty into contemporary fashion, presenting a unique style rooted in Japanese sensibilities. Our items not only add color and happiness to daily life but also offer a tangible connection to Japanese culture and history.

For fashion enthusiasts around the world, Imari's products provide the joy of wearing the beauty and tradition of Japan. We invite you to experience the magic and craftsmanship firsthand.

 Encounter

When I first encountered hand-drawn Batik in a quiet village in Java, it felt like more than fabric — it felt like memory. The wax patterns held a silence, a warmth, like my grandmother’s hand resting on my shoulder. I didn’t fully understand the language of the cloth, but I sensed I was being spoken to.”

 Shared Sensibilities Across Cultures

When I first encountered hand-drawn Batik in a quiet village in Java, it felt like more than fabric — it felt like memory. The wax patterns held a silence, a warmth, like my grandmother’s hand resting on my shoulder. I didn’t fully understand the language of the cloth, but I sensed I was being spoken to.”

An Invitation to Dialogue and Discovery

“In the Reiwa era, when Emperor Naruhito visited Indonesia and donned Batik, it wasn’t just diplomacy — it was symbolic dialogue. A gesture of mutual cultural respect. Inspired by that, I’m collaborating with Batik artisans and planning a talk session exploring the mythologies behind these sacred motifs — from Garuda to the phoenix, from lions to butterflies. I’d love for you to join us as we listen to the voices held in fabric, and rediscover what it means to wear spirit and story.”

THE SOUL OF THE THREAD

In an era of relentless mass production, Imari Corporation bridges ancient Indonesian textiles with Japanese heritage to craft garments that carry a soul.

In contemporary fashion, true rarity is no longer defined by a label, but by provenance. With nearly 97% of garments in Japan imported from overseas mass production lines, the delicate art of domestic tailoring faces a quiet extinction. Amidst this homogenization, where personal identity is flattened by algorithmic trends, the Japanese sense of individuality and deep connection to clothing has drifted into nostalgia. Yet, in Kumamoto, Imari Corporation stands as a resolute counter-narrative. By harmonizing the ancestral rhythms of Indonesian batik with the tactile poetry of Japanese sakiori (upcycled kimono weaving), Imari creates more than clothing—they curate a primitive, living philosophy for a world that has forgotten how to feel.

The Dialogue of Hands: Javanese Batik and Sakiori

At the heart of Imari’s universe lies an unwavering reverence for the handcrafted. The brand’s creations are a dialogue between distant cultures: the pristine elegance of Imari porcelain traditions and the soulful resilience of sakiori, where discarded kimonos are meticulously unraveled and re-woven into new textiles of profound warmth.

This cross-cultural exploration extends to Java, where Imari collaborates directly with local artisans to craft original batik textiles. Moving far beyond mere pattern, these fabrics are imbued with sacred motifs—the sovereign feather of the Garuda and the intricate geometry of the Kawoon pattern—brought to life through delicate hand-drawn wax-resist (canting) techniques. These are not merely materials; they are living testaments to human devotion. This rare synergy of artisanal textile and modern design echoes a historic milestone: in 2008, Imari’s sakiori textiles were hand-selected for an international collection by HaaT (Issey Miyake), affirming a shared global vision for the poetry of the hand.

An Antidote to the Machine: Primitive Craft and Ecology

Mass-produced fashion offers the illusion of choice while eroding personal identity and numbing the human sensorium. Traditional Japanese attire—once a profound extension of self and season—has been reduced to a ceremonial costume confined to seasonal events.

Imari’s creations serve as a radical alternative. Javanese batik, drawn and dyed stroke by stroke, generates zero superfluous waste. Sakiori transforms the discarded past into enduring beauty, representing the ultimate form of sustainable upcycling rooted in Japanese resourcefulness. Both textiles represent a return to the primitive: unhurried, imperfect, and deeply resonant with the Earth. In an era intoxicated by speed, these pieces offer a quiet ecological and emotional sanctuary.

Geometry of the Cosmos: Nature as Architect

Imari’s design ethos is intrinsically tied to the macrocosm and microcosm of nature. Inspiration is drawn from universal archetypes—the eternal spiral of the vortex, the infinite echoes of fractals, and the language of sacred geometry.

From the veins of a leaf to the architecture of the cosmos, these underlying natural rhythms are translated into structured garments and sculptural interiors, such as the signature vortex-patterned chairs. To wear Imari is to wear nature itself—a tactile reminder that we are not separate from the universe, but woven into its very fabric.

Preserving the Thread: The Sacred Duty of Japanese Tailoring

As domestic garment production dwindles, the preservation of Japan’s master tailoring techniques becomes an urgent cultural imperative. Imari maintains an uncompromising commitment to complete in-house production—from initial concept and precision cutting to final stitching and distribution in Japan.

To keep the needle moving in the hands of master artisans is to protect a vanishing lineage of care, precision, and soul. It is a quiet rebellion against disposability, ensuring that the legacy of Japanese craftsmanship endures for generations to come.

One of a Kind: A Symphony of Shared Souls

Every garment born from Imari carries an invisible weight: the quiet dedication of the designers, the lifetime mastery of the Japanese tailor, and the meditative prayers of the Javanese batik artisan.

Far removed from industrial uniformity, every piece is a world-exclusive—a garment for one. Whether presented at prestigious exhibitions from Nihombashi Takashimaya to Hakata Hankyu, or discovered globally via Instagram and eBay, Imari’s creations invite wearers to step out of the ephemeral stream of fast fashion and into a deeper story.

In a world rushing toward tomorrow, Imari offers a return to what is real: clothing infused with a soul, crafted to weather time.

©IMARI  CO.,LTD. ALL RIGHTS RESERVED

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